
Tech 21
Tech 21 SansAmp Character Plus Fuzzy Brit
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Tech 21 SansAmp Character Plus Fuzzy Brit available as B-Stock. Compare available offers from different stores and find the best price for this model.
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Ex-demo or customer return, inspected and guaranteed. Minor cosmetic marks possible, fully functional. The smart way to buy quality gear.
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📄 Product description from Music Store DE
Amplifier section with classic Brit-Voicing. Pedal section with fuzz circuit. Two identically constructed channels. Amp section: Vol A/B, High, Mid, Low, Char A/B, Drive A/B. Pedal section: Level, Tone, Fuzz. Amplifier simulation and fuzz circuit separately switchable. Additional XLR output, symmetrical. Includes power supply. The Tech 21 SansAmp Character Plus Fuzzy Brit at a glance: . The SansAmp Character Plus Fuzzy Brit follows the principle of popular Character Plus Series pedals, which lets legendary combinations of classic amplifier circuits and historical stompboxes shrink into the handy pedal format. Here, the two-channel pedals convince with their authentic interaction between both simulated components and an enormous adaptability to a wide range of sound concepts and applications. Of course, the Character Plus pedals rely on 100% analog SansAmp technology to connect first-class sounds with intuitive operating options. Classic Brit Voicing. As part of the Tech 21 SansAmp Character Plus Fuzzy Brit, a widespread model of an important amplifier is available, which has already won the legendary icons of the blues and rock and is able to listen to countless recordings. Here, the Char-Regler ensures tonal diversity in order to retrieve an immense variety of warm overdrive sounds through characterful 'Plexi' sounds to juicy distortion sounds. In addition, the Fuzzy Brit offers two identically constructed and foot-switchable channels to make two potential sounds available at any time. Independent Fuzz section. The Fuzz section uses a traditional Fuzz circuit as a simulated Stompbox. This is adapted to the classic fuzz sounds of the sixties and seventies and has a low pass filter for the reduction of all too harsh heights without sounding mushy or washed. The circuit is of course controlled by a classic Three-Knob layout with controls for levels, tone and fuzz to make a huge variety of different fuzz sounds available.